(BMI) All rights administered by Warner-Tamerlane Publishing Corp.// EMI Blackwood Music Publishing (APRA/BMI)// EMI Blackwood Music Publishing (APRA/BMI)// Primary Wave Beats (BMI) All rights administered by BMG Chrysalis on behalf of Primary Wave Music (APRA)// The Publishing Designee of Te Whiti Te Rangitepaia Mataa Warbrick (APRA/AMCOS)// Nyan King Music Inc. Rachel) PRODUCED BY: DJ Mustard CO PRODUCED BY: Twice As Nice & Frank Dukes PUBLISHED BY: Mustard On The Beat Publishing/Songs Music Publishing (BMI)// Monica Fenty Music Publishing /Warner-Tamerlane Publishing Corp.
(BMI) All rights administered by Warner-Tamerlane Publishing Corp.// 2082 Music Publishing /WB Music Corp. Baptist) PRODUCED BY: Produced by Hit-Boy for Hits Since 87 ADDITIONAL PRODUCTION BY: Travi$ Scott ADDITIONAL VOCALS BY: Travi$ Scott PUBLISHED BY: Hit-Boy Music / U Can’t Teach Bein’ The Shhh / Songs of Universal (BMI)// Travis Scott Music (BMI)// Ohaji Publishing / Universal Publishing (ASCAP)// Songs Music Publishing, LLC o/b/o Songs of SMP (ASCAP)// Monica Fenty Music Publishing /Warner-Tamerlane Publishing Corp. ADDITIONAL VOCAL ARRANGEMENT BY: Krystin Watkins p/k/a Rook Monroe and James Fauntleroy ADDITIONAL BACKGROUND VOCALS BY: James Fauntleroy GUITAR PLAYED BY: Mick Schultz BASS GUITAR BY: Brian Schultz MIXED BY: Manny Marroquin at Larrabee Studios (Universal City, CA) MIX ASSISTANT: Chris Galland & Ike Schultz at Larabee Studios North Hollywood, CA MASTERED BY: Chris Gehringer at Sterling Sound, NYC. (BMI) All rights administered by Warner-Tamerlane Publishing Corp.// Almo Music Corp./Fauntleroy Music (ASCAP)// Seven Corners Publishing (ASCAP) RECORDED BY: Vocals Recorded by Marcos Tovar for Allfadersup and Kuk Harrell Recorded at Westlake Beverly Recording Studios Los Angeles, CA ASSISTED BY: Thomas Warren VOCAL PRODUCTION BY: Kuk Harrell for Suga Wuga Music, Inc. Album DescriptionRachel) PRODUCED BY: Mick Schultz PUBLISHED BY: MMRF Ventures Publishing (BMI) for BMG Rights Management (US), LLC // Mick Schultz Publishing/ Spirit One Music (BMI)//// Monica Fenty Music Publishing /Warner-Tamerlane Publishing Corp. See More Your browser does not support the audio element. © Stephen Thomas Erlewine /TiVo More info By the end of Anti, Rihanna may not arrive at any definitive conclusions about her art but she's allowed herself to be unguarded and anti-commercial, resulting in her most compelling record to date.
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These songs come at the end of the album, after a series of songs that drift and wonder, the sound of an artist trying to figure out not only what her album is but who she is.
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The latter has always been a specialty of Rihanna - her distance from her material was at once appealing and alienating - so hearing her lean into "Love on the Brain" and "Higher" is something of a revelation: her voice is hoarse and ravaged, yet she's also controlled and precise, knowing how to hone these imperfections so her performance echoes classic soul while feeling fresh. Mood matters more than either hooks or rhythm: it's a subdued, simmering affair, its songs subtly shaded yet interlocked to create a vibe caught halfway between heartbreak and ennui. This is an album whose heart lies within its deep cuts. Such a sustained sensibility distinguishes Anti from its predecessors, records where album cuts often felt like afterthoughts. Then again, neither would've felt at home on the cloistered Anti, the first of Rihanna's records to feel constructed as a front-to-back album. When Anti finally appeared in January 2016 - three years after Unapologetic and months later than expected - it bore none of these 2015 singles, a move that suggests a tacit acknowledgment that neither the curiously muted Kanye West and Paul McCartney collaboration "FourFiveSeconds" nor the unrestrained roar of "Bitch Better Have My Money" functioned as appropriate anchors for the album. Work on Anti began in the autumn of 2014 and proceeded in semi-public, progress being measured in Instagram posts and tweets, along with intermittent singles, each released to white-hot anticipation but none metamorphosing into massive hits.
Buy the album Starting at kr200,89Īnti existed as an album cycle before it existed as an album - arguably long before Rihanna knew what form her eighth album would take, either. Purchase and download this album in a wide variety of formats depending on your needs.